Music Ground JMI 30/6 into 90’s 6402 cone Celestion Greenback
This capture is based on my JMI 30/6 loaded with a Celestion 6402 cone Greenback. This particular amp was built by Steve Giles when he still worked at Music Ground, before the quality control there declined. Its design is a part-for-part reconstruction of an early ’60s AC30 and it sounds noticeably massive compared to almost any amp it’s put up against. It has a robust low-end weight, an interestingly textured midrange and top end, and a breakup that is raw and aggressive.
This combo is perfect if you want the AC30 sound with extended low-end size, an open and aggressive top end, and the midrange forwardness and sweet compression of the Greenback.
The amp was tube rolled to achieve the most balanced eq and tasteful breakup response.
This purchase includes one capture using a Shure 545 into an API 512c preamp.
V2 captures do not include lifetime updates. Lifetime updates were limited to V1 capture purchases.
Music Ground JMI 30/6 into 90’s 6402 cone Celestion Greenback
This capture is based on my JMI 30/6 loaded with a Celestion 6402 cone Greenback. This particular amp was built by Steve Giles when he still worked at Music Ground, before the quality control there declined. Its design is a part-for-part reconstruction of an early ’60s AC30 and it sounds noticeably massive compared to almost any amp it’s put up against. It has a robust low-end weight, an interestingly textured midrange and top end, and a breakup that is raw and aggressive.
This combo is perfect if you want the AC30 sound with extended low-end size, an open and aggressive top end, and the midrange forwardness and sweet compression of the Greenback.
The amp was tube rolled to achieve the most balanced eq and tasteful breakup response.
This purchase includes one capture using a Shure 545 into an API 512c preamp.
V2 captures do not include lifetime updates. Lifetime updates were limited to V1 capture purchases.